Bought with a contribution from the Art Fund, 1977, Research, private study, or for internal circulation within an educational organisation (such as a school, college or university), Non-profit publications, personal websites, blogs, and social media. But the fate of Ophelia may also have had a personal resonance for Redon: in July 1888 he had watched, helpless, as his friend and collaborator, the young critic Emile Hennequin, had drowned. From the oldest literary periodical in the UK. Copyright © The London Magazine 2019 | Development by Thirty Two Squared. All products are produced on-demand and shipped worldwide within 2 - 3 business days. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. • THIS PRINT: Odilon Redon's classic painting Ophelia Among the Flowers (1908). Although it has a literary source, Ophelia among the Flowers is more than an illustration of a text. Unlike the almost scientific precision of Millais, who painted the individual plants and foliage on the riverbank, Redon creates an undefined space that lacks any clear indication of either location or scale. Her closed eyes suggest she may already be dead, or possibly she is only sleeping. Odilon Redon’s Ophelia Among The Flowers is one of the many pastels that take Shakespeare’s tragedy Hamlet as their subject. This was a period when Redon was moving away from monochrome drawings and prints, with grotesque and macabre subjects, towards a more lyrical exploration of colour using pastel and oils. Ophelia is immersed in her thoughts – and Redon also all her life was more self-directed than outward; the girl is surrounded by fantastic, fictional flowers – and the artist, too, has always been among the strange, amazing images born by his imagination. The canvas print is Not Framed. We see only Ophelia’s head, placed close to the picture’s edge in the lower right corner. You can unsubscribe any time by clicking the link in the footer of any email you receive from us, or directly on info@thelondonmagazine.org.Find our privacy policies and terms of use at the bottom of our website. By continuing to use this site you agree to the use of cookies. Customise Ophelia among the Flowers by Odilon Redon and decorate your walls with our art prints handmade in France. The story of Ophelia recalled older narratives of doomed young love, such as the story of Orpheus, another popular subject in art, literature and music. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. He had also seen Ophelia (1851–2, Tate Britain) by the English Pre-Raphaelite, John Everett Millais, when visiting London in 1895. They place us, as does music, in the ambiguous realm of the undetermined.’. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. Millais’s Ophelia is a much more literal response to the details provided by Shakespeare’s text, but Redon’s treatment of the same subject is radically different. In addition, Ophelia is almost incorporeal here, and that’s what a soul should be. Shakespeare’s doomed heroine, Ophelia, was a popular subject for nineteenth-century artists. Feb 21, 2020 - Ophelia Among The Flowers, is a painting by Odilon Redon which was uploaded on March 16th, 2018. The painting may be purchased as wall art, home decor, apparel, phone cases, greeting cards, and more. Learn more about French Symbolist artist Odilon Redon and Ophelia among the Flowers – his response to Shakespeare's 'Hamlet'. You must agree to the Creative Commons terms and conditions to download this image. The painting is, in its own right, home to a number of conflicts. This association of youthful and transient beauty with dreaming, sleep and death was a recurrent theme in Romantic and Symbolist art and literature in the late nineteenth century. Sign up to our newsletter for the latest content, freebies, news and competition updates, right to your inbox. The size is 24 x 34 inch / 61 x 87 cm. As Redon observed, ‘My drawings inspire, and are not to be defined. All products are produced on-demand and shipped worldwide within 2 - … The canvas print is made of high quality polyster Canvas, and it … But this early twentieth-century piece, held by the National Gallery since 1977, offers a fresh insight into the character of Ophelia, whose greatest conflict, in the midst of chaos, appears to be with herself. But the broader influence of Japanese prints is evident here too, particularly in the decorative flatness of the picture and the use of flowers. Image: Odilon Redon, 'Ophelia among the Flowers', about 1905-8 This video was produced in our homes for you to enjoy in yours. Redon employs pastel to full effect, creating an almost abstract design as glowing areas of intense colour are given jewel-like definition with swiftly-drawn black outlines or colour highlights. The painting may be purchased as wall art, home decor, apparel, phone cases, greeting cards, and more. Help keep us free by making a donation today. Odilon Redon’s Ophelia Among The Flowers is one of the many pastels that take Shakespeare’s tragedy Hamlet as their subject. This is a canvas print, named Odilon Redon Ophelia among the Flowers . This dream-like work in pastel was at first an upright study of flowers on a table, but was later turned on its side and the table top transformed into a suggestion of rocky landscape and the head of Ophelia added. Most notably, there is contrast between the vivid pastel colours of the artwork and the landscapes that they depict. Home » Start with Art: Ophelia Among the Flowers by Odilon Redon. Ophelia among the Flowers Odilon Redon Art Funded 1977 Dimensions 64 x 91 cm Vendor Marlborough Fine Art Click here to find out more about the cookies we use. Odilon Redon (1840–1916) creates a deliberately ambiguous and dream-like response to Shakespeare’s drama, rather than a literal illustration of it. Ophelia, the doomed heroine in William Shakespeare’s play Hamlet, rests within a luminous space filled with vibrantly-coloured flowers. ‘Ophelia Among The Flowers’ can be viewed in room 46 of The National Gallery, London. Ophelia Among The Flowers by Odilon Redon is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. Start with Art: Ophelia Among the Flowers by Odilon Redon. too bold to assume that “Ophelia among the flowers” is, to some extent, a metaphorical portrait of the author’s soul. Read more. In contrast to the vibrant flowers that surround her, Ophelia is drained of colour. Redon knew The Death of Ophelia (1844, Louvre, Paris) by the French artist Eugėne Delacroix, who also produced a series of lithographs illustrating scenes from Hamlet. The 2nd day you’re here, if you could meet personally with the 2 actors playing Hamlet and Ophelia, we would be very grateful. Ophelia among the Flowers by Odilon Redon – … This turn to colour was due in part to his contact with younger artists such as Paul Gauguin, Emile Bernard and Maurice Denis. This association of youthful, but ill-fated, beauty with dreaming, sleep and death was a popular theme in much of the art and literature of the nineteenth century, particularly in its closing decades. This image is licensed for non-commercial use under a Creative Commons agreement. The image file is 800 pixels on the longest side. Ophelia Among The Flowers by Odilon Redon is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. The floral crown supported by Ophelia suggests an appreciation of the beauty of the flowers around her, all resembling strawberries and lilacs, with flurries of blue interrupting the intensity of the green. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. The painting illustrates a particular moment in the play, in which Ophelia finds her way to the brook, where she meets her end amongst the flowers that she has gathered. Nov 1, 2020 - Ophelia Among The Flowers, is a painting by Odilon Redon which was uploaded on March 16th, 2018. The following 3 pages use this file: Odilon Redon catalog raisonné, 1992; File:Odilon Redon, Ophelia among the Flowers, The National Gallery, London.jpg Ophelia among the Flowers Odilon Redon Art Funded 1977 Dimensions 64 x 91 cm Vendor Marlborough Fine Art. In the 1890s Sigmund Freud began his pioneering research into dreams and the unconscious, which culminated in his landmark book The Interpretation of Dreams, published in 1900. Download a low-resolution copy of this image for personal use. Ophelia is immersed in her thoughts – and Redon also all her life was more self-directed than outward; the girl is surrounded by fantastic, fictional flowers – and the artist, too, has always been among the strange, amazing images born by his imagination. Ophelia among the Flowers: Artist: Odilon Redon: Artist dates: 1840 - 1916: Date made: about 1905-8: Medium and support: Pastel on paper: Dimensions: 64 x 91 cm: Inscription summary: Signed: … But this early twentieth-century piece, held by the National Gallery since 1977, offers a fresh insight into the character of Ophelia, whose greatest conflict, in the midst of chaos, appears to be with herself. Tilted back, and in profile, it is suspended or perhaps floating. Instead, Redon creates a dream-like response to Shakespeare’s drama that functions as an image in its own right. Your customized sizes are acceptable, please send me emails. In death, she finds that what she has been searching for, she finds herself. Odilon Redon (1840–1916) frequently made reference to both classic and contemporary literature in his work, and the subject of the drowned Ophelia, taken from Shakespeare’s tragedy Hamlet (Act IV, Scene VII), was one he often returned to between 1900 and 1908. In the final moments of Ophelia’s life, as represented in the painting, it can be said that she is finally at one with not only nature, but with herself. Every canvas print is hand-crafted in the USA, made on-demand at iCanvas and expertly stretched around … New eBook collection: ‘Making For The Exit’ by Edward Lucie-Smith, V&A Korean Collection: Chun Kwang Young: Aggregation10-SE032RED: 2010, Review | The Assignment by Liza M. Wiemer, Review | Hag: Forgotten Folktales Retold by Virago Press, Review | Russian Roulette: The Life and Times of Graham Greene by Richard Greene, Essay | The Maestro and the Apocalypse by Leonard Quart. From the oldest literary periodical in the UK. September 9, 2020 . View our full range of Odilon Redon prints here: https://etsy.me/2leCOTi Or browse our full range of classic paintings: https://etsy.me/2G7OK0A • PLEASE NOTE: All our prints come UNFRAMED and any frame in the images above is for display purposes only so you can get a feel for how it might look on your wall. This moment, though frequently figured as a descent into madness, can also be interpreted as an escape from the patriarchal dominance that has moulded her into the person that she eventually becomes. Unlike her vivid surroundings, her face is drained of colour – we are not sure if she is dead or only sleeping. Garlanded by flowers, she merges with the plants that surround her. Sign up to our newsletter for the latest content, news and competition updates, right to your inbox. Reflected beautifully by the imaginative form of the art, the density of the painting can be viewed as a portal into the demise of this tragic heroine, as she finally overcomes the conflict that has hindered her existence, a victory to be found only in death. But beneath the flowers, Ophelia appears to be fading away into the surrounding background, the strength of her character tested by the domineering force of nature, not unlike the struggle that she is compelled to endure throughout the play. The use of complementary colours (a patch of orange placed against ultramarine blue, red and pinks juxtaposed with varieties of green) enhances the overall luminous effect. Supported by … Although our doors have temporarily closed, it's still possible to book tickets for visits from 2 December onwards. 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